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Needless to say, Irrfan Khan is one of the finest actors in contemporary cinema and he proves it beyond any doubt with his portrayal as the wronged innocent who takes up arms. His deadpan humour and tongue-in-cheek wit is as impressive as the intense outrage that he displays at the apathy of the government and society. As the military fatigues clad rebel, Irrfan's Paan Singh makes the audience root for him without any reservations, even as he slaughters a family of informers, who cause the death of his right hand man.
Dhulia’s direction is not gimmicky. It’s marked by a quite certitude that’s rare. He doesn’t compromise, and, frankly, he doesn’t need to.
There’s quiet genius at work here, and it shows in every scene, every frame, every character. The film is full of lovely scenes and details — like the happy birthday mujra scene, Nargis Dutt’s death being announced on the radio — but Dhulia doesn’t dwell on them. That is part of his gift, knowing when to return to storytelling.
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